Showing posts with label movie review. Show all posts
Showing posts with label movie review. Show all posts

Sunday, March 8, 2009

Watchmen



Who Watches The Watchmen?


When you speak to comic book readers, the older ones, about the greatest story ever told, you'll get many different responses, for me it was the dark phoenix saga as told in the x-men comics in the early 1980s, the story which was prison raped into a B-story then left to dead in the lake near the last house on the left by the abomination of movie making that was X-Men: The Last Stand, and even more of them, will tell you the greatest story ever put into comic book form is The Watchmen. An iconic cold war allegory written by Allen Moore, that spans from world war 2 America all the way till the story's violent start in 1985, it tells the tale of two generations of superheros, the first being The Minutemen, who would later gave way to The Watchmen. Its a dark and twistingly beautiful tale of how ultimate power can lead to ultimate insanity.


It all starts with the death of a man called The Comedian, a former hero of sorts, who was killed as brutally as he lived, which was, in an ironic way, the most fitting way for a man like that to end his life, when you are a “hero” who wasn't so much a hero as a mentally unstable killer and rapist, it kind of makes sense that he will in time probably die that way, which he does, after a brutal fight that is set beautifully to “What A Wonderful World” by Louis Armstrong, he is, well, tossed out of a window plummeting 62 floors to the street below. As I said, a fittingly violent end, to a violent life where everything was a joke... atleast to The Comedian.


As The Comedian lays dying on the dirty sidewalk outside of his upscale new york city, his blood running into a gutter and his trademark smiley face pin becoming stained with blood, one of the most familiar images of the entire series, even to this day, the film shifts to a beautifully done series of “captured moments” going back to the early 1940s and the dawn of the superhero as this world knew it, all the way to current times, all set perfectly to Bob Dylan's “The Times They Are A Changin”, I loved this scene so much, because it says so much, and so much of what the story is really about, the changing of our world over the 40 year span that the movie, you see the early days of the comedian with his first group “The Minute Men” in the early 1940s, you see their work, their triumphs and their downfalls, and their fading away into the past, you then see the rise of Doctor Manhattan, the man comprised completely of nuclear energy, which leads to the creation of The Watchmen, you see their wins and losses and rise and fall all the way into the early 1980s, when third term president Richard Nixon (yes you read that right) outlaws superheroes, at which point they all retire, well all except for one apparently, Walter Kovacs, the paranoid and completely insane vigilante known as Rorschach, who you meet as he investigates the death of The Comedian, and through an internal monologue you find out just how deep the paranoid burn for blunt and unyielding justice that fuels the fever mind of Rorschach really goes. As he looks around the apartment, eventually discovering where The Comedian hid his superhero gear, and realizing who had infact died, he starts to place together a theory that someone, for some reason is killing off superheroes, or “Masks” as they are called by many apparently.


Next you move from the dark and violence of that, to a happy scene, this is where you meet Hollis Mason, the former minute man known as Nite Owl, writer of the book “Under The Hood” a book telling many behind the scenes and unknown to the public things about the public and private lives of The Minute Men, of which, as of 1985 the only one's left alive are Hollis, who by the end of the comic book is killed by a gang of super villains called The Knot Tops, but in the movie remains alive and running his auto salvage, towing and repair yard, Sally Juspeczyk who goes by Sally Jupiter, or her superhero name The Silk Spectre, Sally retires from The Minute Men when she becomes pregnant with her daughter Laurie, who would grow up to become the second Silk Spectre who would later go on to help found The Watchmen, Sally now lives in a retirement community in California where she keeps her suit in a glass case and all of her pictures from her days where she was not only a hero, but a sex symbol, framed on the walls, she spends her days answering letters to her fans, at one point laughing in a flattered way when one of her fans sends her a very valuable adult comic book which depicted her having sex in various ways with various men, which her daughter claims to be filty, in the comic she quips that there are a lot out there of her daughter as well, and one where they “team up”, however in the movie she just laughs at her daughter's reaction. The last of The Minute Men left alive is Byron Lewis, The Mothman, who though you don't really meet directly, its explained that he was locked away in a mental institution do to his mental illness (implied to be schizophrenia) becomes out of control do to his almost at times crippling drinking problem. The other Minutemen are stated as dead by Hollis, Dollar Bill, apparently was killed when his cape was stuck in a revolving door when he was stopping a bank robbery, he was shot repeatedly and killed by the robbers. Captain Metropolis, the man who its implied “founded” The Minute Men, was killed in a car accident in 1974, it was said that his head was chopped clean off his body, in the comic its implied that he is in a homosexual relationship with Hooded Justice, who apparently “disappeared under mysterious circumstances” in the movie there is no mention or implication of their relationship, Silhouette, who was forced to retire after she was outed as a lesbian in pre-sexual revolution America where being homosexual was viewed as many as a crime, which is why Hooded Justice and Captain Metropolis kept their relationship a secret, Silhouette and her lover are both murdered in their bed by villain seeking revenge on her who happens to find her lifestyle an abomination, he infact writes “lesbian whores” all over their bedroom walls in their blood, in the comic its explained that they were murdered, then cut from their crotches upwards with what seemed to be a small but powerful cutting tool, in the movie this scene appears in the opening montage set to The Times They Are A Changin, and is just shown to be a violent murder with their bodies laid together and the statement written in blood over the bed, it was, thankfully, toned down, the last of the Minute Men, The Comedian, as we all know, died a the beginning of the film.


You find out that Hollis is telling his story to Dan Dreiberg, the man who took up the name of Nite Owl, and was forced into retirement when Richard Nixon passed the “no masks” law, which made superhero activity illegal. Dan sees Hollis as a sort of mentor of sorts, both as a childhood fan who was able to take up his hero's mantle, and not only live up too, but surpass what his childhood hero did, but was able to earn his own place in the history of superheros, Dan is the only person that Rorschach actually views as a friend, and its said that the two of them were a crime fighting team before the formation of The Watchmen. Dan is implied to be a sort of Batman, meaning a middle aged man with a seemingly unlimited amount of money who lives alone in a large home and has a secret lair under his home with a secret entrance, where he keeps his suit, gadgets, equipment and his mode of transport, a flying pod like transport ship he calls “Archie” which is short for Archimedes, the pet owl of Merlin The Mystic of Arthurian Lore. As he is leaving Hollis' home they speak of how The Comedian had died, Hollis expresses his dislike of him as a person, but respect for his need to get the job done, he then asks Dan if he misses being a superhero, Dan thinks for a moment and answers a very unsure “no.”, Hollis smiles and then bids his friend good bye, this is the last time you see Hollis in the film, its implied he's alive, though as I said, in the comic he's beaten to death later.
Dan comes home to find his door broken and partly open, he his heroic senses kick in and he slowly looks around the house with out making a sound, hoping to surprise whomever has broken into his home, thinking maybe an old supervillain, a common burgler or a drug addict looking for a fix, he is apparently not surprised to see his old partner Rorschach sitting in his kitchen eating beans. Its implied at this point that Rorschach is actually homeless. He tells Dan of his theory that someone is out there killing heroes, saying it has to be someone who knows who The Watchmen are, and that it has to be an inside job because only they know each other's identities, Dan snaps that no one knows Rorschach's, or even what he looks like under the mask. Rorschach dismisses this and heads down to where Dan keeps all of his Nite Owl equipment, as he walks around noticing the thick layers of dust on everything, he tells Dan that an attack on one of the watchmen is an attack on all of them, and though they were ordered by law to retire or face jail time, he's never stopped fighting for justice, and says thats what a true hero would do, fight for what is right no matter what. He then hands Dan the bloody smiley face pin he lifted from the gutter where The Comedian died, and left Dan's home in an angry state.


We then follow Rorschach as he breaks into a military base where he is to speak with the last two people on his list of names to speak with, Doctor Manhattan and the second Silk Spectre, who infact live there, given that they are a couple. As he sneaks in, Rorschach muses to himself of how there are no real heros anymore, they're all either to old, out of shape, dead or afraid of what they used to be. Before Rorschach walks in to speak to Manhattan and Spectre he says “I now have to tell a man who can not die, that someone is planning to kill him”. He finds Manhattan working feverishly on a giant reactor which will bring about free unlimited energy, the way they made Manhattan look in thie film was always one of my biggest worries when world had come around there was going to be a watchmen movie, believe it or not its very hard to picture a naked man who is made of blue glowing energy working in live action movies, however thanks to modern CGI they did so beautifully, my only real quip would be that he needed to wear the speedo like he did in the comic book, the fun of uncomfortable chuckles from everyone around me when you see Manhattan's glowing CGI crotch area wears off after the first few times. Through his conversation with Rorschach you find out that Manhattan, or John, to most, basically exists outside of our concepts of time, space, reality and knowledge, he can see the past, present and future, and as you find out later in a kind of funny pseudo sex scene, he can be in many places at once. Manhattan refuses the help Rorschach, claiming he is unable to see the future past the next few days for some reason, and speculates it has something to do with a possible nucular war that is hinted at as the movie's b-story wiping out the entire world. Rorschach accuses Manhattan of no longer caring what happens to human beings and states that he's becoming less and less human everyday, for which the Silk Spectre tells him off and asks him to leave, when he refuses claiming that before he goes he needs to tell Manhattan off, Rorschach is teleported by Manhattan to the gates outside of the military base, where he walks off angry into the rainy night.


Next you see Dan going to meet the last member of The Watchmen, Ozymandias, now a billionaire who is known as an international playboy, philanthropist, industrialist and champion of world peace and free energy, he is also the man who you find out in a flashback formed The Watchmen in the late 1960s or early 1970s, its not exactly clear when, its implied that Ozy, as he's called for short, and Rorschach have some bad blood, which is why he doesn't even bother to contact him but seeked out everyone else, Dan tells Ozy of Rorschach's theory of a superhero hunter out there, which Ozy dismisses, assuming its just the ramblings of a paranoid sociopath who is looking for one last shot to be a hero. Dan states that the theory makes a lot of sense given recent events and that he really had only come just to warn him, given that he is the most public profile of all of the former Watchmen, and unlike Manhattan the other highest profile of them, Ozy is still just a human being, and that he can be killed just like one. After that Dan is next seen going to dinner with the Silk Spectre, with whom its implied at this point there is a strong attraction between the two.


With all of the major cast members now introduced the film starts to tell you their story, both jumping between the films setting in 1985 and various points in the past, you get to see the history of both The Minute Men and The Watchmen, both the good and the bad, you get to see The Comedian attempt to rape the first Silk Spectre, as well as his murder of a Vietnamese woman who is pregnant with his child in a bar after the end of Vietnam as a puzzled Doctor Manhattan, who was sent by Richard Nixon to end the war, looks on, after Manhattan yells at him and says he has no regard for human life, The Comedian states that be doing nothing to stop him, Manhattan is the same way. You also see the early days of The Watchmen, and how they play out their roles through history in this world, as well as the return to action of both Nite Owl and Silk Spectre, at one point Manhattan while in deep thought of if he is really human anymore at all, outlines the time line starting from the 1940s to their present day. You also finally get to see under Rorschach's mask as he's finally caught after being framed for the murder of a former villain, the prison scenes are some of the best in the film, not just because of the midget that gets murdered in the toilet or how hot Silk Spectre looks kicking the crap out of rioting inmates and guards when she and Nite Owl break Rorschach out of jail, but because you get to see just how insane one man can be, plus after the phych evaluation and story of Rorschach's first case as a hero, you see just how far gone he really is, its scary in a way, but still you can't help but love the character and how well he was transfered to film.


I won't give away much more of the film, instead I will now express my likes and dislikes of it, simply because I feel if I give more of the film away, it'll be ruined for anyone that hasn't been waiting sense 1986 for this movie, and well I would really hate to do that, for its really something worth seeing, yes its almost 3 hours long, and yes it can be both violent and disturbing at times, but still, it is a beautiful adaptation of one of the greatest comic book stories ever told. I loved so much about the film, from how Rorschach's mask kept changing shape, to mimic how in the comic book its never drawn in the same pattern, ever, to how realistic Manhattan looked for blue glowing naked man who sometimes wore a speedo or a suit. Almost all of the elements from the comic book are jammed into the film too, which I think is really good, readers who have been waiting to find out if the kraken appears, I hate to drop the spoiler on you, but it does not, but thats alright, the film adaption works just as well with out it, plus one less action scene worked better for the progression of the story, atleast I thought so, there are afew other scenes from the comic that are missing, Ozy's last scene for instance is cut short and doesn't have the monologue, but really it doesn't take away from the film at all, nor do the other scenes that were left out, which makes a lot of sense really, movie goers who weren't aware of the comic and how it was written would have had issues with following the story as well as the “Tales of the Black Freighter” story with in the story, though its been stated when the dvd is released, there will be a special edition that will feature an “ultimate” edition, which will have the story with in the story, as well as all the removed scenes except for the Kraken, which the director honestly believed wasn't that over all important to the story itself, and though I did enjoy the scene in the comic, I must agree, it didn't really seem to fit the flow of the movie, and given the time and care put into making this as realistic and true to the comic as possible, literally going panel by panel using the comic as a guide to set up sets and poses as close to their original drawings, I could see someone not wanting to ruin that with a kind of hokey fight with a big squid.


My only real complaints where with little cosmetic things, like the Watchmen toys scene in Ozy's office are made by today's super modern toy making technology which, well the hight of toy making tech in 1985 was making the original transformers, which as any fan will tell you, 90% of were bricks with movable arms, there is no way they were even close back then to replicating the way toys are made 20 years later, other little nitpicky things were that Ozy's computer was way to advanced for the time period, and that the hearse that drove the comedian's body to the graveyard in his funeral scene was a 1986 Cadillac Fleetwood by Superior, which was not available in 1985. I ofcourse mention these things only because I like to point out the bad as well as the good, even in a film that I rave about, I would hope that these minor things do not take away from your want or even just curiosity to go and see this film. Infact infact I hope i've made you want to see it more then you did before, and if not, I encourage you to go anyway, because its truly a piece of beauty. I wouldn't harold it as better then say, The Dark Knight, but its in the same vain, which I'm sure many people will enjoy, and its enough realism that even those who aren't comic book fans will enjoy it. So please, if you are able too, go out and find the answer to the question that everyone has been asking for years; Who watches The Watchmen.



---
Laz

Wednesday, June 11, 2008

Movies I Love: The Brave One



"When you love something, everytime abit of it goes, you lose abit of yourself..."
- Erica Bain, "The Brave One"



Its no secret that I've been somewhat disillusioned with 97% of whats been put out by Hollywood in the last few years, its been this eclectic hodgepodge of quick fix action movies with no plot, or movies that are just done to keep a certain actor or actress in the public eye so hollywood can force them and their persona into our everyday lives until we all can't help but care who's sleeping with who, and who's doing drugs in public, and who's in rehab and all of those things that spiral down the dark ride into an Inferno of a Divine Comedy that only Dante Alighieri himself could fully grasp the concept of. So in layman's terms the last few years of movies put out by hollywood have been complete crap, and anyone thats read my work or knows me knows how strongly I feel about this.

Now, I will admit there were afew that stood out as exceptional for me, after all something has to make up that 3% of good I listed above, and among that number stands this movie. The Brave One. A somewhat forgotten post coming out of the closet Jody Foster movie that sadly lasted less then 2 months in movie theaters. Though I can't understand why, it was so very incredible and moving in a unique way. Though most critics who didn't pan it (of which I am one if you remember my year end awards) sited it as Jodie's most violent work to date and possibly her most hard edged as well, and though most shot her down for this, I, among others in the cool kids section of the critics pool (that place we don't let Roger Ebert because he pees in the pool and is also a bad smelling fat douchebag) praised Foster for picking this as her "comeback" movie after finally coming out of the closet and admitting publicly she is a lesbian, though one would argue for hours if sexual orientation should be a factor in the kind of roles one gets in hollywood but thats a side point. This was a great reboot point, it was so different, and similar but contrasting to so many of Foster's signature roles.



The Brave One is akin to those grindhouse bad ass/revenge movies where a seemingly happy and cheerful person adopts a second life of a dark and violent killer in order to avenge the traumatic death of someone they loved/Family Member/Entire Family. So its kind of in the vain of Christina Lindberg's Thriller: A Cruel Picture (or as it was called in the states "They Called Her One Eye"), or Taxi Driver, or to a lesser extent the Deathwish movies among others, or for the less obscure reference point, its a mix of the 2004 tough guy/comic book movie The Punisher and Micheal Douglas' greatest movie (I think anyway) Falling Down, with abit of Kevin Bacon's Death Sentence tossed in, you know, for flavoring.

Jody Foster plays Erica Bain, a popular new york city talk radio show host who walks the city with her recorder recording the sounds she hears as she goes (called a Flâneur by those who get paid to do it), and talks of the things she saw and how they made her feel and what they made her think about as she uses this to express her love of her home of New York City in hopes that it can maybe help bring the city's people together in some way. Personally, she has a great life, a big upper scale appartment in a good neighborhood where she lives with her soon to be husband David and their dog. One night while on their nightly walk through Stranger's Gate (a park in new york city), they are ambushed by three career criminals who record themselves as they violently beat and rob the two of them, also taking their dog and leaving them for dead in the end.




You find out that Erica survived the attack but David did not, this sends her into a deep depression and a strong sense of paranoia to where she won't leave her home for a short time and jumps at every little sound. She eventually is able to leave again and after afew visits to the police station which led to her believing that the police didn't care about catching her attackers or about what happens to her now because she couldn't ID the men who did the crime, she decides to buy a gun incase they came back for her as they had her home address and such. Finding again a roadblock with the waiting period to buy a gun in America, she decides to buy an illegal one instead from a back alley in Chinatown. From here she spirals slowly into a world of vigilantism by first accidentally coming across a robbery of a small local store and shooting one man dead after a short but very intense cat/mouse scene with in the store itself, one of the best photographed sequences in a movie of this nature that I've ever seen, though admittedly every scene of that nature in this movie would qualify as one of my favorites, they're so realistic and beautifully shot, one of that extreme close up on a zooming bullet or slowed down for impact stuff thats so common place these days, you get the feel it would actually look and feel as intense in real life, so amazing. The scene ends with Erica running out of the store on pure instinct, and oddly, a new found confidence in herself.

Erica next decides that she is going back to work with her new confidence in full swing, and after a small yelling match with her boss (played by a rapidly aging Mary Steenburgen) she sits down at her microphone and after a small pause out of what seems like fear, she transforms from optimistic city dweller, to a chillingly serious, and kind of sexy in a commanding kind of way, mouthpiece for those who are tired of all the crime and violence in New York City, she mentions reading about the shoot out in the store in the paper and harolds the killer as a hero who is taking back the streets that the if the police aren't willing too do so, then someone else has too. This brings a flood of calls and outraged listeners to flock to Erica and cheer on her speaking what they were all thinking all this time. This also brings her to the attention of Detective Sean Mercer (played really well by Terrence Howard who most will know most recently as James Rhodes from Iron Man or from the lesser seen but very amazing August Rush as Richard Jeffries), the two meet as Erica decides to start to cover the recent "reign of social justice" this unknown vigilante has been bringing about, as a news story, instead of just doing her normal human interest work. Erica interviews him, then he tells her of a case involving a local criminal syndicate boss he's trying to send to jail when they are finished and the recorder is off. The two meet up for coffee and to exchange information through out the film, there is infact a great scene near the end of the movie where with out actually saying so, Erica tells Mercer that she's the one killing criminals, and he with out saying so, says he knows and is ok with it.




As the movie progresses you find Erica going out and being more predatory, actually going out at night in her black hooded sweatshirt and black cloths going to places that you would find criminals and killing them with out so much as a blink of an eye. In central park she comes across a man who is keeping a prostitute drugged up and in the backseat of his car for many days with nothing but the drugs he's been giving her in her system "for his pleasure", he mistakes Erica for a prostitute and asks her to get in the back of the car and "give her a good time", Erica's new predatory nature kicks in and after she's in the car and the guy brags about what he's doing, and after seeing him hit the girl for begging Erica to call and get her help because she's dying with nothing but drugs in her system. Erica fakes that she is going to have sex with this woman, in a very sexy but very dangerous feeling scene before she shoots him in the leg and kicks the doors open to free them both. The guy, enraged starts the car and tries to hit them both, Erica drops him with several shots from her gun and as he dies behind the wheel, he turns the wheel and hits the girl Erica saved from him before crashing his car into a ditch and dying. Erica drops the drugged up and now hurt girl at an ER door and heads off. When asked who saved her, the girl claims she wasn't able to tell because of lack of food or water and all the drugs in her system, but she recognizes Erica when she sees her later in the film when she goes to visit her with Mercer but doesn't let him know, as to not get Erica arrested, though when they have a moment alone, she thanks her and tells her how happy her family was to know she was ok.

Next Erica sets a trap for two men who have been robbing subway trains recently. She reads the story in the paper, and under the guise of recording sounds for a piece she's doing for work, waits on the train that the reports say the robberies are happening on. When the two men finally make it to the subway car she's sitting in, as you watch them bully, abuse and rob the rest of the people onboard, you wait in almost frenzy like anticipation for all the other riders to leave so she can kill these two with no witnesses. As predicted, when everyone else is gone, they move toward Erica, one pulls a knife and after some short lines of complete vulgarity, she shoots one dead in the crotch and then shoots the other in the back as he runs away. The only problem is, this time she forgot to turn off her recorder, and has it all on tape. Which she sits at home and listens to over and over in a mix of shock, fear and excitement at the proof that she is, indeed a killer, this is where she comes face to face finally with her other side, and eventually comes to terms with it, and decides she is doing what is right, because no one else will.

With out giving away more of the movie, you follow Erica as she takes out criminals that are above or unknown to the law as she does what she feels is her social duty, until she spots her dog in a park. Which leads her to finally hunt down the man who killed her soon to be husband and almost took her life just as Mercer gets proof that it was actually her doing all of these recent killings. I won't give away the ending but it I will say it was a great way to end a story of this nature.




Its funny, you find yourself seeing everything through Erica's eyes and feeling what she feels, and actually wanting her to kill these people because they truly deserve to be put to death, and you find yourself getting more and more angry at the current state of the police with their seeming lack of wanting to deal with anything that won't put them on the front page of a newspaper or on the evening news shows. It makes you want to get mad, it makes you wanna snap and just start cleaning things up because no one else seems to give a damn.

I have no idea why The Brave One wasn't as big of a success as it should have been, its a movie that brings out so many emotions and tells so many stories all at once, and just strikes you down to the core, its just mindblowing how good this film really is, and its filmed in a way that just makes you feel like you are there everything about this movie is amazing. If you haven't seen it yet, honestly, you must, its just so brilliant and so prominent and poignant that its almost an insult to film itself that you don't see it.

here is the trailer, you'll see what I mean...




---
Laz

Sunday, March 9, 2008

Movies I Love: Somewhere In Time

Somewhere In Time (1980)




Few movies be them new or old, have ever actually moved me, like emotionally moved me to the point I honestly feel that I am a changed person for having watched them. One of those movies is the cult followed but often forgotten or overlooked "Somewhere In Time", its mostly known to the movie world as the movie Christopher Reeves used to follow up the insane hit Superman with, and because of that, its remembered as being a complete and utter flop at the box office. But as most cult and true classics they didn't really became renounced until their coming to vhs or in some cases until dvd. Somewhere In Time always had followers, the sappy and those who love a good love story and such, but in recent years its become the favor of classic movie lovers. Though thats in part to the somewhat alike movie "The Lake House" another misunderstood but beautiful in its own way film from 2006.

Here is the basic plot of the movie quickly before I go into detail. In 1972 a playwrite named Richard Collier is at a party after a play of his opens to rave reviews, a rich old woman walks up to him, hands him a pocket watch and says "come back to me." much to his puzzlement. Move ahead 8 years, Richard by chance finds himself at a hotel called "The Grand Hotel" and becomes entranced by a strangely captivating photograph of a mysterious, beautiful young woman, with some asking around and finally a conversation with a man named Arthur Biehl, who's lived at the hotel most of his life, he discovers the woman is Elise McKenna, a famous early 20th-century stage actress. After doing more research on her, he discovers she was the woman who gave him that pocket watch in 1972, he also discovers that she died only hours after giving him that watch. This leads Richard to a local professor and down a path thats abit sci fi but also was based on an actual book released around the time the movie was written and is ment to take place.

The theory is basically this, though hypnotic suggestion, and surrounding one's self with things of a certain time period, one can effectively convince themselves they are in whatever time period they wish. Meaning if you were to lay on a bed in a room that has not changed sense say, 1960, and you were dressed and had your hair styled and everything down to the way they wore clothing and such in 1960, though a recording thats constantly repeating "you are in the year 1960, everything is at it was in the year 1960.." repeatedly, you will close your eyes and after awhile, you will apparently time travel back to that year. Yes I know the theory makes no sense at all and is basically complete crap, and never did lead to any actual claims of time travel by anyone that had the book, but, it makes for good sci fi love story plot device fodder, so just do the fireball theory and toss real world science out the window for a minute eh?

So the next bit of the movie involves Richard going around buying things that are original to the year 1912, the year and date that Elise came to The Grand Hotel, which also happens to be just about a day or so before the picture of her that hangs in the hotel. He sets about getting himself to work on this time travel business. He lays on the bed in a room which he found to have a man who's name and signature match his exactly, and after hiding his tape recorder and getting into his fresh to death 1912 gear, he gives it a try. And, as one would be led to believe in a movie of this nature, he actually does it.

From there the movie follows the love affair that Richard and Elise share, it follows them through her days acting out a play at the hotel's theater, to their time alone and how they just seem to connect, feeling as if they've known each other their whole lives and were just ment to be, its a beautiful story of love and how there is always someone out there for each of us, even if they lived before we were born, it plays alot on that conceptual idea about love as a whole, one that most don't like to read about or think about given the depressing nature of it. The movie is, as its ment to be, the ultimate story of love beats all, even time and reality. The movie comes to its bittersweet end when Richard drops a penny out of his pocket from 1980 which he was to use as his "Return ticket", the idea being looking at an object from the time you left is to bring you back to your original time period, which it does much to his and Elise's dismay. He tries and tries and tries to return but can't, you see him in 1980 in a frenzy trying to get back but can't, in 1912 you see Elise screaming and crying and whaling over his seemingly dead body, its a very heartbreaking scene.

The movie ends with Richard dying of a broken heart in the room he stayed in. He didn't eat or drink or move from that spot for a week or so, and simply just died from self induced starvation. The movie implies that the whole travel through time was all in his mind, and that somehow the power of love made it reality, given the paradox created when older Elise gives young Ricahrd the pocket watch in the begining, and thats the way most of the movie's fans love to think of it. I as well enjoy that aspect.

I know that to many Somewhere In Time might seem like a corny outlandish love story that is beyond any conceptual realm of reality and not overly well written out sci fi, but honestly, it doesn't really matter, the movie is a masterwork of grandiose and over the top love acted out beautifully by young Christoper Reeves and the insanely beautiful Jane Seymour (who still is insanely beautiful at almost 60 btw... gotta love them british milfs), and really in the end, thats all that matters, the story being told and that you can honestly feel for each character, regardless of who they are, and at the end, you feel as if you've become a better person for having watched the movie. You feel as if its true, that love can beat all, even time, space and reality, and that is just the most amazing feeling. And that is why I love the movie so much, in this era of online life and love, where we can literally be anyone we went to be or anywhere or anywhen, this movie is the kind of thing that just makes you stop and see things through a wider lense. So if you feel up for it, go ahead, give the movie a try, see what happens.

Oh and as an added bonus, because finding stills from the movie are REALLY hard to find, like almost to the point a person would shoot themselves in frustration... So I shall make up for that, with this scene, which is also very hard to find, so many home made music videos.... so little actual scenes.. the net let me down.. anyway, this is the scene in the theater, which most people say is one of the best scenes in the whole movie... so.. enjoy.... sorry that it cuts off right before the picture that hangs in the grand hotel is actually taken... stupid net people...




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Laz

Sunday, January 27, 2008

The Bucket List

What would you do if you knew that you were going to die? If you were given a definite amount of time left to live, what would you do with it? Would you go about your daily life as if nothing was wrong or would you make a list of all the things you wanted to do in your life that you haven't had a chance to do yet, fully knowing that some of those things are impossible given your financial situation. Well thats the question posed to Carter Chambers, a blue collar mechanic played by Morgan Freeman in The Bucket List. Carter is a family man, a wife and grown children with children of their own, he spent his life working for his family and in being told he is going to die of an incurable cancer he starts to think of and write out a list of things he would love to do before he dies, he is working on his list while in a hospital bed when fate brings Edward Cole, who happens to be a billionaire that owns the hospital in which Carter is staying and like Carter is suffering from an incurable cancer, into his room, Cole is played perfectly by eternal slimeball Jack Nickleson. Cole who finds himself stuck having to share a room given his own company rules and facing horribly bad PR if he somehow gets his own room in his hospital, befriends Carter over their time sharing a room. As time goes by they start to talk about Carter's list, Ed grabs it and starts to read things off, claiming that he could make this list happen for Carter, between things he already owns and his billions which he claims "aren't going anywhere anyway.." they could make their last few months alive the greatest time of their lives. The thought of this leaves Carter to wonder if its best, in the end, against his wife's wishes, he decides to take the trip.



Once they get out of the hospital, the first thing they do on Carter's list; He's never driven a 1965 Shelby Mustang GT-350, the car of his dreams, he even carries a keychain of a small red one, Cole buys him a red one just like his keychain just so he can drive it, by drive it, I mean drive it around Indianapolis Speedway ofcourse. Cole, just for fun gets behind the wheel of (I believe) a late 1960s Chevelle for a classic muscle car duel, through the whole scene its great because they're yelling smack back and forth to each other while going all Days Of Thunder but with out the suck, Carter wins their race then does a nascar style victory burn on the infield grass after jumping the mustang Hazard County Styley off a dirt ramp, why there is a dirt ramp at Indy I've no real idea, but hey, I don't care cuz the scene was awesome. From there they continue their journey, skydiving where the two of them are arguing the whole way, a great moment with Cole waiting till the very last moment to open his shoot just to get that extra thrill feel. From there we go to Egypt where as they set atop one of the great pyramids talking about death itself, and its looming over them. Carter explains that he has a belief similar to that of an ancent belief that entrance to the afterlife is granted by answering two questions, and claims he has his answers already. This leads to a story of families and fate, Cole says he has a daughter, and eventually explains why she doesn't speak to him anymore.



From there they jump all over the world back and forth with their only companion being Cole's assistant Matt whom he true to form treats like crap, through as the movie goes on you see its really just a playful banter the two have and they really do care for each other, hunting big game on safari in the prides of Africa, seeing every country in Europe, the middle east and asia, they debate the deep meanings of faith verses just living for the sake of living, Carter a man of deep faith, Cole a man who doesn't believe in god given his bitter nature toward the world. They come back home to the states 6 months after they started because Cole, playing a joke on Carter sends a high priced highly educated prostitute to try and seduce Carter who claims he's never so much as held hands with a woman before or after he married his wife, a thing Cole jokingly claims he will fix by the time the trip is over. This angers Carter and he demands they go home. As they are heading home to Carter's house they make a small detour, Carter and Matt have decided that if Carter had to face the one thing that was nagging him the whole time (if he still loved his wife or if he was just going through the motions) and came up with his definitive answer, that Cole should face the one thing thats been nagging him, his daughter's estrangement. Cole gets furious, rips up the list and storms off.



I won't ruin the way the movie goes from there to the end, but I will tell you its a great movie, its funny and its moving at times, you really see that rich or poor, we all really are the same, and that even the most horrible people can change if the right person makes them see the light. I love when a movie is as moving as it is funny, you really start to think about what would you do if you had just about a year or so to live left, and you start adding stuff to your own bucket list, which I think was the intent of the film in the first place, I won't give the ending away but I will say that it will make you laugh and smile, which really is all a movie of this nature is ment to do. I don't know if this is for everyone, I guess there would be those who can't take the idea of death very well, or that hate Shelby Mustangs or High Priced Hong Kong hookers I guess, but for the rest of us, sure, I can't see why the rest of the world couldn't atleast dig it abit, maybe it doesn't have constant rewatch value, but hey, it doesn't need too. So give it a shot if you wanna have a good laugh and a smile at some point.


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Laz

Saturday, January 26, 2008

No Country For Old Men

Sorry for this being abit late, December/January is totally insane for me, just getting around to chilling and getting this stuff up now...

Its hard to really put into words just the kind of movie that No Country For Old Men is, so often words like "masterpiece" and "brilliant" and similar accolades get tosses around in this modern era of buzz words selling tickets instead of quality and content that when something that is truly deserving of such words comes along, you almost feel like you're insulting it by using words of that nature. You know as a critic you aren't insulting the movie, but as a fan, you do, I hate confliction like that, seriously. Its hard to put into words, this is just a timeless story of tough guy vs. even tougher guy in an insanely intense game of cat and mouse with each having everything they hold dear to lose, and it takes you along for the whole insane ride.

The movie starts in southern west Texas in June of 1980, you see these beautifully baron backgrounds of the waistlands at the boarder between Texas and Mexico, you hear the tired and run down voice of tired and run down local sheriff Ed Bell, as he laments over the changes that have come into place in the region sense he grew up to now, how its become more and more violent and so unlike what he remembers, this naration is done to perfection by the amazingly talented Tommy Lee Jones, as the film progresses, though you don't really see much of Bell, he's mostly the "C Story" as we call it in the business, meaning the filler between the main story and the subplot, though I must admit, as a C Story, he is the glue that holds and connects the two other stories being told here together, as he should be. As the voice over ends as you cut to a police station and a deputy calling in the capture of a man who he claims is "is carrying an air tank that he uses for some stand air weapon he keeps up his sleeve" before he can get any more information out this man who is sitting cuffed behind him gets up and uses his cuffs to strangle the young deputy, this man, is Anton Chigurh (said "Sugar"), the remorseless murderer for hire who, among his other rather interestingly modified weapons of his trade uses a cattle gun to kill people. Anton is played by Javier Bardem, a mostly unknown actor who afew will remember from the horrible Tom Cruise and Jamie Fox team up "Collateral", but mostly has done under noticed, direct to rental, spanish or art house films, I believe this movie will make Javier a star as the next few years progress, you truly believe that he is infact Antone Chigurh and you truly believe that he is a bad bad man. Next we're on a ridge out on the Rio Grande and we meet Llewelyn Moss, played by Josh Brolin former star of the goonies, american gangster and Planet Terror to name afew of his impressive starlist, Llewelyn is a Vietnam War veteran who lives in a trailer with his wife and works as a welder for a living, he's out hunting and when chasing down a wounded coyote he hit while going for his real pray, pronghorn antelope (animal planet hizzah!) he discovers a grizzle shoot out scene that can't be more then afew minutes old, a circle of cars and the area is littered with dead bodies, even two dogs. Llewelyn comes across one mexican who's barely alive in a truck, while asking for water the man tells him to look in the back. In the back of the truck he finds a truck bed full of black tar heroin, and yet none of the money for it, assuming there has to be someone not far away thats got the money, he relieves the dead and dying of their guns then starts to follow the trail of blood he discovers near by. he finds the last one dead under a tree with a sack containing 2 million dollars. He relieves the corpse of his gun as well as the money, he heads home in his truck to go about getting things ready for him and his wife's new life to begin. He has a small change of heart later that night and decides to go see if the dying man is still alive or dead, in doing this, he gets spotted by the people who own the money that he now has in his trailer, who are able to track him by ID plate on his truck which he carelessly leaves in plain sight. From there the movie becomes an intense game of Cat and Mouse as Chigurh chases Moss all over southwest Texas and the bordertowns of Mexico for his 2 million dollar winfall, with Bell trying to track them both for different reasons and contemplating his retirement.



As the movie goes on you see just the lengths both men will go to just to keep this money, Moss for a better life for his and his wife, you find this out by the fact his first move is to send her out of harms way with abit of cash incase she needs it and the promise he'll follow soon after with the rest soon as he's finished off Chigurh and is free of the heat around his discovery. On the other side of the spectrum we see that Chigurh wants the money not to return to his boss, but for himself to get away and become a hitman for hire working for himself. Where Moss does out of his way to doubletrack and deter Chigurh at all costs from not only getting to him and those he loves, but innocents as well, Chigurh with out though or care kills anyone that crosses his path, even fellow hitman Carson Wells, who is sent to retrieve him and the money because he has become "sloppy" with his work, Carson is played by Woody Harrelson, which is abit of a surprise to me because I had thought Woody, or atleast his career, was dead, he given s good, albeit short performance. I won't give to much of the story away, its really the kind of movie you that you have to see and watch how it naturally progresses to fully get it all and just sit back in awe of just how powerful a film this is, plus, well, what good would it be if i spoiled the ending for you by telling you what happens?



I will however say that this movie is as visually interesting as it is storywise, the backgrounds and characters appearances tell just as much of the story as the actual script does, if the Coen Brothers did this purposely or not I don't know but it just worked so well. Everything from Tommy Lee Jones' dusty old sheriff's uniform and busted and beat up badge, to every single thing about Antone Chigurh, which was modeled after a man seen in an old book of patrons to whorehouses on the Texas / Mexico border that Tommy Lee Jones owned, how or why he came into ownership of this book i've no idea, Moss looks to be taken right out of a hickplotation or bad ass movie from the grindhouse era of film history which I love so much, he's like a mix of Kris Kristopherson in every role he's ever played mixed with Peter Fonda in Dirty Mary Crazy Larry and Steve McQueen in The Hunter, I just love that, you feel for him in so many ways and you want him to get the life he's trying to hard to make happen. Its interesting to note also, of the three main leads, you very rarely see Jones, Bardem or Brolin on the screen together, and if you do its just for afew stant seconds or maybe a minute or two at most, this gives you the real feel of a game of Cat and Mouse thats being played by these men and seeing how evenly matched Moss and Chigurh are you spend the whole movie debating in your mind if you wanna see a final conflict or not, because it would be the ultimate win to survive and get away from a man like Chigurh, a man who they claim is one of the best hitmen in the world.

I give this movie my full endurcement and encourage you all to either go to a theater or go find a torrent or something of this amazing film and enjoy it for what it is, a dirty, gritty violent tale of how there is no such thing as a clean getaway. There issomething in it for everyone, thrills, action, violence, foul mouthed 13 year olds, old depressed cops, and ofcourse, Mr. Antone Chigurh who is infact a very very VERY bad man... why you still reading this, go get to seeing it, you won't regret it.





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Laz

Sunday, May 6, 2007

Spiderman 3


Oh Lordy what a movie this is! I have to tell you first, for those that aren't aware, I am a very big comic book fan, I've been one since I was 6 years old and now, at 30 years young, I am loving the whole comic movie craze, sure alot of them suck, yes Ghost Rider i'm looking at you, but I always end up going back and forth in my mind on how to review this genre for the masses, not just the comic fans, people that aren't going to know the difference between the comics and the movie and such, so I figure I'll have abit of sarcastic fun with this and just dive right in and if you can follow, then follow if you can't, get your wiki on... Anyway here we go...

First off I must tell you, visually, this movie is incredible, the F/X were amazingly done and grab you from the start, but as anyone thats been last grade 8 knows, Special Effects don't make a movie, you need a story as well, and that brings me to my first point, the story itself. How don't get me wrong, there is alot of story in this, there is alot crammed into this movie, and though I could argue that for three villains this movie really doesn't give each of them enough time for a proper story of some kind, and others could argue it does, personally, I always thought the other two Spiderman movies did well with one villain and didn't need 3 given the complexity of most of them and their back stories. And though there is alot story crammed in here and I feel abit of rushing, they do cover things well and make it feel like one big story, not three mini ones hashed together like I was fearing they would do.

They also do alot of good tying in more of the supporting cast, spiderman's true power as a character has always been his supporting cast, and to see more here, is great, plus, it also means that though we didn't get the true story of Gwen Stacy or her father, we do have them included in the movie mythos now, and I do love that, for those that don't recognize her, Gwen is played by Bryce Dallas Howard, the daughter of Ron Howard and star of The Village, which I just loved her in. With that said, ok, onto the story now!

it starts out with Peter being happy, yes, we know it doesn't ever last but its nice to see this side of Pete now and then, its important to the character, him and Mary Jane are out on a date one night, when a meteorite crashes near by them, why there were no warnings for the area or why this wasn't noticed by the government is not mentioned, out of it oozes a symbiote, and it for whatever reason follows Peter and MJ home, logic would denote it had a symbiote equivalent of a full on superhero chubby for MJ, but no, its all about Peter.

Next Peter and EmoHarry Osborne (the son of Norman Osborne the Green Goblin from the first Spiderman movie for the non-comic readers) have a fight that leaves EmoHarry with a light case of short-term amnesia, he forgets he blames spiderman for his dad's death in the first movie and the vendetta against Spiderman that came from it, however he still continues to be emo. Poor Harry, poor rich beyond even god but still sad cuz his crazy father died, harry. I'd assume he goes home and cuts himself to my chemical romance at this point.

Next we meet The Sandman, well, he's not the sandman yet, but anyway, we meet Flint Marko (who's real name is William Baker for those who are comic purists), as Flint runs from the cops he somehow ends up stumbling into a particle accelerator which turns him into sand, this amazed me because I always thought when you stepped into particle accelerators you like, quantum leaped into the past or whatnot, putting things right that once went wrong and hoping each leap will be the leap home, but apparently you just become sand sometimes too, the last bit of my childhood died at this moment. Ok no it didn't, it did make me kind of look at the screen funny.

From there we head to a party thrown for Spiderman because he saved Gwen Stacy, at the same time Sandman attempts to rob an armored car near by, Spidey all of a sudden jumps into action and fights his new fashion victim of a villain, Sandman beats Peter pretty good and gets away, Pete is later informed that Sandman is the robber that killed Ben Parker (Mr. Caradine did it in the comics), this makes Peter rather mad as to be expected, and wile he sleeps that night, the symbiote bonds with his spidey suit. Pete wakes up to discover this and that his powers are greatly enhanced as well, he as always, sets out to use these new amped up powers as Spiderman. Everyone loves the new black outfit...

Peter slowly becomes changed by the new suit and the new power amping. He becomes more violent and aggressive and has an almost leathal fight with the sandman, all of this new found anger and darker attitude alienates Mary Jane, who goes running to emo Harry Osborne seeking help, and ends up dating him, because, well, you know, that happens all the time in real life. Peter finds out and is REALLY pissed off, understandable really, i'd be pissed off too if my best friend and my woman were knocking boots like a Candyman song, well ok the only candyman song, but anyway i'd be really pissed off. Somewhere along the way Spiderman meets Eddie Brock, who's camera he breaks and such...

Alot more angry words are said between Peter and Mary Jane and Peter decides its time to get rid of the symbiote, heads to a church to dump the suit, because well, thats what you do when you're a superhero, you dump your old suit in a church and get on with your life with your new or old outfit. He discovers that the sound of the bells weakens the suit and uses it to get rid of it. The suit gets mad and eventually the suit finds and bonds with Eddie Brock, and in that moment, Venom is born.

The rest of the movie is a mix fighting with Harry and eventually team up with him and dealing with Venom and the sandman who have also teamed up, I won't give away the ending but its a mix of mindscrew, comic faithful comic history, and an odd coming to terms. its not the ending I totally liked, but it was none the less a good ending. You won't be let down or feel cheated by any means.

With this all the tongue in cheek humor said and done, my thoughts on the movie as whole are very positive, yes there are some things the comic fans will hate, yes there is way to much story for the allotted time the movie runs, and at times it moves to fast for its own good, and sure there are things that are half assed, but all and all, the movie is a great story about how Ben Parker was right, with great power comes great responsibility, and that when ultimate power corrupts. it corrupts absolutely. I would gladly go see this again, though I am not sure if the non-comic fans will respond well to it, I'm thinking it might be to much spiderman history crammed into one movie for them to take in all at once, not degrading non-comic fans by any means, just saying they might find the mixing of characters abit convoluted and marred for their liking, but thats just a guess anyhow.

so basically, if you would like a good afternoon out, go have a look, you won't feel let down. And if you are, oh well, go see something that sucked like Slowburn or something...


..

Laz

Monday, March 12, 2007

300


In history we learn of the Battle of Thermopylae, and we learn of its one of history's greatest last stands. And a true tale of human spirit and determination and that anyone willing to fight for something to the very end, will be willing to fight to the death for it. There have been many movies and books writen about the battle and how it played out over the years and though this is not the most true to history version of the story, infact as historical record goes, its pretty far off, but its most definately the most fun to watch. The chaos of battle as it rages, the thrill of defiant battle, all of it! This is both the most manly movie I've seen in years and has the most visually pleasing images sence the final battle with the Orks in Lord Of the Rings: Return of the King, a masterpeace if there ever was one. It won't win any awards saddly given the whole stuffy nature of the oscar commity and all, but who gives a crap about them anyway, anyone that said The Departed was the best film made last year is wiggity whack on the black side jack.... word.

The story is told by Dilios, a Spartan soldier over a campfire who regails his friends and fellow soliders with the story of King Leonidas the brave and mighty king of sparta who rose up though a harsh life and became king through determination and never backing down. He is a strong, powerfull and respected king among the city states in the greek empire as well.

One day, a messanger is sent ahead of a persian army advancing into greece and demands the king pay tribute and swear to serve King Xerxes, a mad persian warlord who once had a straight of sea whipped for defying him (true story, not made up btw). The Spartian King is enraged, offended and insulted at this group before him demanding he bow down to another man and surrender his kingdom. His responce is to kick the messanger party into a massive spike bottomed pit screaming "this.. is... SPARTA!!". Following this, a meeting with The Oricle states that the spartians should not march to war against persa's armies. Still enraged Leonidas gathers 300 soliders and "goes for a walk with his personal bodyguards", they encounter others along the way that have heard of their quest and join them, they decide the place for their final stand is a narrow cliffed area called Thermopylae (the name means "Hot Gates" in exact translation). The 300 and their allies ready themselves for battle. And thats where the fun begins.

The story itself tells an interlacing of spirit, determination, defiance, betrayal, love, battle elephants and heads on sticks. There is alot of lovely shot action scenes that though take up most of the movie in some form or another, are not just blood, guts, arrows and swords for no real reason, this is a truly excellent take on battles and life and just what fire was inside the human soul in days long gone, as well as some really cool action lines that were infact true to the story as well. "Our arrows will blot out the sun" "then we shall fight in the shade" is a line thats been passed down from every version of this story going back to the very begining.

If you don't remember this story in history, or forgot how it ends and plan to see the movie, I won't spoil anymore of it for you, it is an incredable work of mordern movie magic and really should be seen to be loved for what it is, a historial movie hidden as an action movie that will inspire you to do so many things. Its really worth the ticket, so get off your butts and go see it.

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Laz

Ghost Rider

Being a fan of Ghost Rider going back to when i was just a lowercase me, I was that loner kid that everyone left alone because Ghost Rider was for people that were spooky and into dark and evil things, I guess thats what happens when you come of age in the era of the Xmen's Dark Phoenix Saga instead of 10 years earlyer in the late 70s when John Blaze and his demonic "partner" Zarathos went around on a flaming motorcycle kicking ass and taking names wile chewing grape hubba bubba bubblegum, well sept for that time they created the 1970s version of The Midnight Sons and Ghost Rider went all gay for that golden alien guy, but that doesn't mater because in the 90s, John Blaze was forgiven and made awesome and this time, when they made The Midnight Sons, they did it right, and Blaze didn't have a mancrush on anyone, he just kicked ass next to the new Ghost Rider.

But thats a side point. Onto the movie itself! Because after all thats what we're here for right? The movie. Ok here is what you need to remember first about this, if you are a longtime fan of Ghost Rider, take everything you know, and forget it, or if you can't do that, just lock it away somewhere you can't get to it till after the movie is over, because though it had no real base in the comics other then characters, this movie is by no means bad. I might even say visually, its incredable, but for me to do that, I would need to actually give into the fanboy "wee a childhood hero is on the big screen!" urges, and well, I'm saving those for when The Transformer movie comes out in July, so deal for now.

Ok so here is the basic plot, the movie starts in the old west with a naration by a character we later discover is Caretaker, talking about what the Ghost Rider is ("The Devil's Bounty Hunter") and that his job is to collect contracts for souls and such, and it tells how one rider ran with a contract knowing it would make the devil to powerfull, now we come to the present day and oru story, long time comic book lover Nick Cage is John Blaze (possably the only hero he could play aside from Ironman or Hank Pym, but anyway..), Blaze is the greatest motorcycle stunt man in the US, women wanna sleep with him, men wanna be him so they can get women to sleep with him, the whole deal. Johnny's dad Barton Blaze is dying of lung cancer, and as Johnny thinks he would sell his soul to the devil for his father's revitalized health, the devil appears and sort of tricks Johnny into signing the contract with blood from a cut finger. The next day Barton wakes up and is fine again, completely cancer free. Only to be killed later wile preforming a motorcycle stunt infront of a massive crowd. The Devil again appears and tells Johnny he doesn't need distractions like love and family and such, Johnny gets mad and next thing you know, his girlfriend is "sent away" by her father under fear that Johnny's a bad influance.

Johnny and his girlfriend (Roxanne) meet up again years later, after Johnny has rizen to even more sucess in the stunt show business, she is working for a tv station and is sent to interview him, they start back up from there. Go Johnny you mackdaddy you! Anyway, at this point we meet Blackheart, the "son" of the devil. He raises some fallen angels and they plan to take on The Devil for control of hell or something. The story kind of gets lost in here. The Devil vows to awaken The Ghost Rider in Johnny Blaze and send him to kill Blackheart and his fallen angels. Johnny meets up with the four of them by chance and thats when he first becomes The Ghost Rider, the first transformation sequence is really rather cool though seems painfull, they never really explained in the comics if the transform hurt any of the ghost riders that I recall, this was an interesting plotpoint. This is also where Ghost Rider gets his chain and kills one of the fallen angels.

The rest of the movie is kind of a mashed up blur of Blaze dealing with both The Devil (called Mephistopheles instead of Mephisto) and Blackheart, wile trying to keep it from his girlfriend and learning from Caretaker, who is an old man that takes care of a big graveyard, you later find out he is the ghost rider from the opening part of the movie. It all needs up to a big CGI fight between Ghost Rider and Blackheart, and it kicks much ass and takes many names wile blowing bubbles with its gum. Then the credits role after a nicely writen ending, and thats it.

Now, I'm not saying this is a bad movie, for what it is, Ghost Rider is a great movie, its striking visually, if you take the context of the story out of the comic and its mythos, its a really good story, even if there are alot of blurry confusing moments and some strange dangling plotholes and odd comedy bits, but thats not uncommon or really bad by any means as well. My problem is just that well, growing up a fan, and seeing how most comic movies, though changing things for legality reasons, retain some escence of the comic or the general history, Ghost Rider does not. It jumbles up the stories of all The Ghost Riders (John Blaze, Dan Ketch, Michael Badilino) and kind of peacemealed them together with out seeing where things were ment to go. The motorcycle belongs to Vengeance (Michael Badilino), the outfit and chain and Penance Stare belong to Dan Ketch (the second ghost rider), and Caretaker's shotgun is really ment to be the "the hellfire special" John Blaze's shotgun that shoots hellfire from Blaze's return in the 1990s, and Caretaker is a member of an ancent order that watchs over The Ghost Rider and The Midnight Sons, not Carter Slade (the late 1960s hero called The Ghost Rider and later The Phantom Rider who had no superpowers at all btw), and there is no mention at all of Nobel Kale when speaking of former Ghost Riders, just to name just afew.

I will however say, you should not let these things and the others that are wrong with this movie stop you from seeing it, for what it is, a completely new take on Ghost Rider and its mythos, this movie really is good, and visually its excellent. So as I said if you're a long time fan, just turn off that knowlege or ignore it and let this movie do what its ment to do, entertain you, because it will.


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Laz

The Number 23


I'm not completely sure why after many years of comedy, half of which were actually funny, that Jim Carey decided it was time to branch out and do drama and other forms of acting, sort of the way Tom Hanks did. I'm not really sure what is going on in his head, maybe its to show the world he's more then a spastic rubber faced but that gives stoners and people with ADHD someone to look up too, or maybe its because he's bored with comedy, I don't really know. However, I do know, that though I've liked his other ventures outside of the realm of comedy; The Truman Show, Eternal Sunshine of the Spotless Mind, and Man On the Moon, I'm puzzled at why he chose The Number 23.

See, this isn't a particularly bad movie, nor is it really a particularly good movie either. It does have its moments of well writen and well shot scenes, but it also has some oddities and twists that really, unless done by a master of the cinematic thriller on the level of like, M. Knight Shamalah or Steven Black, just seems to be bad Sci Fi Channel original movie fodder. I think that if someone else had starred in this, or maybe it was made as a tv movie, it would have seemed more fitting. Carey, though giving his all and being very convincing in the role, just doesn't really seem to fit it right. Which is a shame, because at its core, the story is interesting and well writen for the most part.

Here is the plot, Jim Carey plays a dog catcher, his life kind of sucks, though he has a beautiful wife named Agatha, and a son and a faily nice looking home, he is running late on his birthday to meet his wife for dinner, he finds her in a bookstore where they said they would meet and there she finds a mysterious red book called The Number 23, by a man called Tom Secretes (top secrets, get it? HAW!... k), Carey reads the book, finds so many things simular with his life and eventually believes it to be writen about him, and thats where the story really begins. You find out that as he looks around, the number 23 and its reverse 32 are everywhere in Carey's life, he starts to spend his days reading the book and trying to find out who the man that wrote it is and why he knows so much about his life, if I tell you much more it will ruin the plot for you, which is something I would rather not do honestly. I will however say, if this was handled by a better director, this could be thriller of the year material, however, it was not, so though its not a waste of two hours of your life, maybe it would be better to wait for dvd or if a really good copy comes out on the internet.

Carey's acting seems to be all over the place, he bounces between cool father and husband of the year like moments to down right weird and akward in the role of father and husband, he also seems really uncomfortable in social gatherings or around people in general. He narates the story as well, you feel alot of uncertainty in his voice and alot of comments like "I should have done that differently" or "It all wouldn't have happend if I wasn't late to meet Aggy.." and such. Though they might give Carey's character an underdog like charm and an everyday guy thats stressed sort of feel, he just doesn't really do them right I think, but to Carey's credit he does try.

There are alot of things wrong with this movie, the really stupid flashback at the begining where you see Carey basically bitchslap a drunken dispatcher who is coming on to him at some work party they never really explain what the deal is with that. There are alot of dark brooding Jim Carey in alleyways kneeling down or standing in a trenchcoat and wearing black. You also find the scenes of Carey imagining himself in the role of the book's lead character in the sex scenes abit strange, like I said there are alot of things wrong with this movie, I really did find myself hoping that it would shake the oddness and baddly acted, directed and oddly shot scenes and really make me go "wow" but alaz, the wow never really came. And though I didn't hate this movie, in all good faith and honesty, I can not say you should rush out and see it. Not with what a movie costs these days anyway. As I said earlyer, wait till this is on dvd or a good copy comes out on the internet for download, you won't feel as bad about it.

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Laz

Thursday, March 1, 2007

Trailer Park Boys: The Big Dirty



The Trailer Park Boys has been a fan favorite on Canada's Showcase Network for a good many years now, I myself, spending almost two years living just outside of Vancover, before recently moving back to my hometown, am proud to say I was among those many rabid fans of the cult classic. So much a fan infact that when I returned stateside I set about getting myself every episode of the series to date, as well as the short films and the introduction movie made in 1999. So when it was stated in late 2005 there would be a new movie based on the series, I was overjoyed. I really was, and with the movie being recently released on DVD, I figured what would be better then doing a review? So allow me to if you will.

First of all, what long time fans need to know is, this is, if anything else an alternate reality take on the story. Its not that they felt the need to toss the ongoing story out, but they felt the need to alter things for the non-fan audiance who would have no idea whats going on otherwise. And in doing this, they were able to mix several bits from through out the series together and make one incredably funny movie, that though not a farthering of the show's plot, is still a great movie that gives a definative happy ending for our heroes.

The movie still focuses on our three main characters, Julian; the mastermind who's always drinking a rum and coke(even wile driving), Ricky; the incredably dumb but always wanting to do whats right for his family pot growing friend of Julian's, and Bubbles; the strange cat loving strange speaking coke bottle glasses wearing shed living life long friend of the two of them. However in the movie, moved up from secondary "drones" to actual members of the crew are the not very smart but always doing the best they can duo of Corey and Trevor, who though in the series aren't seen very often other then as extra help, are given staring and important roles in this alternate take. Its no longer a group of three with two sometimes lackys, its a group of five who always seem to work as a team. I liked this aspect myself, I thought it was a big improvement from the series. And given that this movie marked the end of the road for Corey Bowles and Micheal Jackson (Corey and Trevor), I felt it a fitting way to send them out, giving them a chance to move up to so speak.

All of the show's cast does appear, which I thought was a nice thing, Ricky's family plays a big role in this version, with his father Ray being more of a fatherfigure then before, and some really interesting and well writen story in the relationship between Ricky and his girlfriend Lucy as well as alot of interaction with Ricky and his daughter Trinity. This movie's version of Lucy is infact bisexual, and when you first meet her she is living with her best friend Sarah, just like on the show, except its strongly implied at the start of the movie Lucy and Sarah are sleeping together. Ricky says it himself "Back in high school Lucy fucked alot of girls one of those girls was Sarah, back in high school I fucked alot of girls and one of those girls was Sarah, Then Me and Lucy met at a party and realized that we were fucking alot of the same girls, so we just started fucking. And one thing lead to another...". In the show its never out and out stated how close Lucy and long time trailer mate Sarah had, we just knew that Lucy was going out to Ricky's car, getting high and drunk and fucking, then going back in the Trailer she and sarah lived in. Not a bad touch, but an interesting change of characters.

Ricky is living in his car, a 1975 Chrystler New Yorker that has been beat to hell and is missing door windows all around and a passanger side door, its never explained in the movie why he's living in "The Shitmobile" as its called on the show or how he got into ownership of it, the show does state how all of this came about, as well as how the door came off. All Ricky says on the matter "I've been fucking living in cars most of my fucking life, I'm fine with it.". In the movie just like on the tv show, Ricky is a master weed grower and states many times to make money for his family he needs to get back to that.

Julian is pretty much unchanged, he does however not have any of his guns present which he has had through out the series. He is however driving the tricked out black monte carlo he stole from some rival drug dealers in season 5, though this version doesn't have the spoiler on the back made out of hockey sticks, and you never hear the music that is trademark Julian playing whenever he drives up. He is still a drunk and still the mastermind. He also begins a relationship with a stripper who is also a wanted criminal in the movie, and at the end, you find out he waited for her, Julian's relationships normally don't last very long and there aren't many of them given his almost constant need to plan and commit crimes of some sort to make money. An interesting change to give the character more depth, nicely done.

Bubbles appears as he did before he went to prison in the later seasons, he doesn't really want to be doing crime, but he knows that Ricky and Julian need him, and he also knows the money they make will help pay for feeding his 20 or so cats. He still fixes shopping carts and sells them back to the shopping centers in the area and still drives his go-kart like a mentaly handicapped nascar driver.

J-Roc and Tyrone also appear in the movie, even though its very breif and they don't have many speaking lines, J-Roc does get to do his rap song "Trailer Park Life" to a longer extent then he did when he preformed it on the show. J-Roc and Tyrone were always a great comedic bit of color added to the show, I feel abit bad they weren't really allowed to be in the movie more. For those interested in getting the series after seeing the movie J-Roc's "I don't hear no heart dawg" monologue from season 6 is one of the funnyest bits in the entire history of the show. I'm kind of sad given all the other things that were worked in, they didn't work that in. So far one down spot in a great movie, not bad at all honestly.

Jim Lahey the drunk Trailer Park supervisior and his assitant, the shirtless cheeseburger loving former male hooker turned fat bastard known as Randy are present as well, though I do wish they had bigger roles, Randy has very little lines and just one fight scene with Ricky, and he keeps his pants on, instead of taking them off as he normally does to fight Ricky, and most of Jim's lines are just drunken rants and failed attempts to turn the boys into the cops for various things. I did like how they worked The Shit Hawk rant into the script, I would have rathered the Shit Blizzard one, or maybe The Winds of Shit rant, but The Shit Hawks was a good choice too. Jim tends to speak in terms like that when he's drunk "The Shit Hawk" "The Shit Blizzard" "Shit Leapards can't change their spots" things like that. Was funny to see him continue this in the movie.

The plot of the movie basically follows the same plot as a season of the show, Ricky and Julian are released from Prison, and come back with a plan. Well this time the plan is to steal canadian dollar and two dollar coins (Loonys and Toonys they're called), Julian is told this plan by a man in prison called Caddilac, who states that the way to do it is steal change from various means, theif under $1000 is not jailtime in Canada, so if you were cought, you don't go to jail, you just pay a fine and do some community service. Caddilac says "this is how you do it, everyone in here is looking for The Big Dirty, the big pay off, but we all end up here, but I figured out how to make it work... its all in change" Julian believed it to be a brilliant plan and sets about making this happen once they leave jail.

I liked the overall feel of this movie, the alternate takes on the whole cast of The Sunnyvalle trailer park and those that know them. Some other various things were changed, there is no mention of Jim Lahey's daughter, Cyrus is replaced by strip club owner Sonny, there is an alternate take on how Lucy for her fake boobs, Donny the guard isn't friends with Julian and infact is a hockey rival of Ricky's, there is nudity, which is new to the series as well. And dispite things like this that would make a hardcore fan piss and moan, they are great welcomed changes that fit so well into the story that you don't really mind they're reused episode plots and gags, mostly because they're still funny as hell.

I will say though, I miss the camera crew. For those that aren't old school fans, the camera crew interacted alot with the cast, it started out in the 1999 movie with Julian hiring a film crew to follow him aorund for a month because he felt he was going to die and wanted to leave some sort of mark he was here. its assumed that the film crew decided to stay and film all that goes on as a reality show we can only assume is called The Trailer Park Boys. Even with out that, I did love how they worked Ricky and Lucy's wedding into the movie as well as Ricky's courtroom rant that still stands as the most amount of times he's said "fuck" in one statement.

I would say if you are a long time fan like myself, you will love this movie, but if you are not a fan, go see it or rent it or download it or whatever anyway, and if you like it go check out the series. Its great fun.

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Laz

Saturday, February 3, 2007

Dreamgirls



Ok so here is what you do if you want to see Dreamgirls but you don't want to be seen going to a Beyonce movie; Step One: Go to your video store Step two: Rent "The Five Heartbeats" Step Three: Imagine the band as girls and that Eddie Caine is Eddy Murphey. Step four: be glad you watched a better movie then Dreamgirls.

See, its not that Dreamgirls is a bad movie, visually, its a great movie, the cast is all strong and everything looks right for the time period its ment to be set in (the early 1960s). But I can't help but think this is really the story of Diana Ross and the Supreames, and kind of told from Diana's point of view, like that TV movie that was made about them like 15 years ago and it pissed off the other girls in the group. That doesn't make it a bad movie, so much as just kind of sad in its lacking in originality and courage to be itself. It really just serves as a forum for Beyonce to sing and look hot, for Jamie Foxx to again attempt to sing like Ray Charles (which is off base from what Jamie's singing was like before the movie Ray btw), but it also gives Jennifer Hudson a chance to shine, which is very good for she is very talented, and it allows Eddie Murphey to remind people that he used to sing too, however, despite his Eddie Cain like looks in this movie, Eddie really does give a good singing performance.

I keep making Eddie Cain referances because of how strongly Eddie resembles the character from The Five Heartbeats of tht name. Dreamgirls has a very Five Heartbeats sort of feel to it, The Five Heartbeats was a movie based on the Temptations for those that don't know, however, where The Five Heartbeats is fair and equil to all sides, Dreamgirls really does give off a more Beyonce over anyone else feel, which is a shame, the rest of this cast is great. Danny Glover reminded me why he still gets work in this. And there are really just so many other great appearances in this I can't really list them all. But, saddly, they're all tucked into Beyonce's shadow, she's always the star and always the most glamourusly done up woman on screen at any time. Her diva-ness is really what killed the movie for me, well that and her acting, the singing was good, the sets and script were great, the rest of the cast, great, but I'm sorry, unless she's got a long hard object infront of her, Beyonce is useless. She can't act at all.

I understand the want to cast a black female that can sing, but my god why Beyonce? why not find an unknown? Or go with a gospel singer? or some other lesser known singer? Someone that deserves the stardom, someone that doesn't stand there with a look thats a mix of "I wanna suck you with my big enhanced to look like Angelinia Jolie's Lips" mixed with dull surprise. We've have Beyonce Knowles tossed at us as a sex object sence she was 17 years old, back when Destiny's Child was its original 5 girl line up, before her ego got bigger then her ghetto booty, and I'm kind of sick of it at this point. Yes, ok, you force her on us as sex symbol but seriously GIVE IT A REST I AM SICK OF SEEING HER EVERYWHERE!! She doesn't deserve to be this famous, she's just a mass marketed premade star that doesn't dserve the stardom she's got. Cast someone else in this role and I would have loved this movie.

So, really I guess its up to you in the end. You can go and watch Dreamgirls which, if you can look past all the downsides of it, isn't a bad movie. Or, you can go and watch The Five Heartbeats and actually be moved by a movie in the same vain that needs more respect then it gets, and you can walk around going "Sure you wanna hang with old Eddie Cain?" to your friends when they ask you if you wanna go do stuff with them that way too. You don't get that kinda coolness from Beyonce in Dreamgirls.

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Laz

Tuesday, January 30, 2007

Walking Tall 2: The Payback



I grew up with a father that idiolized the ideas that were put forward by one Buford Pusser. The kick your ass if you look at him wrong law man that walked through McNairy County, Tennessee with his cut of hickery stick he called the Buford Stick, I know the man's whole life inside and out, I know how he came to be, I know how he came to die. I know all about the truth of his life sung about in two different songs by The Drive By Truckers. I've seen the three movies from the 1970s and read the book.

With this, I was saddend when the "remake" came out in 2004, starring The Rock and Johnny Knoxville, I was, uncertain, and thought it was an alright movie, it didn't really do Buford, or more so the self depicted legend of his life, justice. Sure it had the same basic idea, but it wasn't the same. It was set in Washington State and was about a casino owner, instead of bootleggers. There was a 2x4 that was just a 2x4 instead of the famed taipered Buford Stick, the police headquaters were blown up instead of his home, and alot of other stuff was taken out of the story. Oh and it wasn't even about Buford Pusser. Even though the soundtrack had both "The Boys From Alabama" and "The Buford Stick" by The Drive By Truckers, both songs writen about Pusser and the walking tall movies.

So with the 2004 remake summing things up so well, I have to ask Walking Tall: The Payback.... WHAT THE FUCK YO?

Ok, lets look at this... The 2004 version of Walking Tall basically took a cleavelend Steamer on the old movies and the life and memories of Pusser, his wife and those that died helping them in their cause. It also gave a definate ending to the story. So, why is it, that we have a sequil to this? Infact, why is it even a sequil when it really has NOTHING AT ALL to do with the last one? This isn't The Crow, you can't make the same idea apply to random people and call it a sequil. I'm abit puzzled by someone thought it would be a good idea to do that, and more so, why in the hell is Kevin Sorbo starring in this? Seriously is all the Hercules and Andromeda gone? Does he really need to be on something like this? He doesn't even have a 2x4, so its just a muscle bound guy with a baseball bat out to avenge his father's death with a group of locals and an FBI Agent that just happens to investigate his father's death. I'm sorry I just don't buy it.

See, its movies like this that make me lose my faith in hollywood as a whole, all these bitch ass studio big wigs thinking they can just ram everything down our throats and we're gonna say "thank you please give us more". I'd rather be dead then live in a world like that. I used to like Kevin Sorbo, sure he got buy on his looks, but I don't are, he was funny and had great comedic timing, but now, he's just a muscle bound idiot with a baseball bat in a movie with no plot and no chance. No wonder when its released its gonna be direct to dvd.

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Laz